Showing posts with label Historical Fiction. Show all posts
Showing posts with label Historical Fiction. Show all posts

Tuesday, 2 July 2013

FINALIST IN 2013 IDA CONTEST

 


The Unhewn Stone
placed 3rd in the Young Adult category of the International Digital Awards Contest for 2013.

Picture



 Available from    Amazon,     Barnes & Noble,    MuseItUp

This novel for older teens  reinvents the legend of Wilhelm Tell through the eyes of a Swiss time traveller who belongs to the tyrant Governor Gessler's family.

On a mission to prevent the legend from happening and restore his family honour, Stefan Gessler enters the 14th century as a stubborn, proud, arrogant, pacifist unaware of the dangers he will face and the difficult lessons he will learn.

Tour modern and medieval Switzerland. Experience life in the Middle Ages, first hand. Encounter fascinating characters while you live by your wits and maybe, like Stefan, reinvent yourself. Does Stefan make the right choices?  You be the judge

Excerpt from a review of The Unhewn Stone by Great Historicals:

This novel is suspenseful, yet humorous at times. It is a coming of age story. From its likeable protagonist to its detestable antagonist, and the plentiful adventures and suspense in between, this is a wonderful novel to savor. Luscious prose that is simple and uncomplicated, allows the reader to slip easily into the story. Can the hero alter the past to improve the future for others? That is one of the main premises in this fascinating tale.

Tuesday, 4 June 2013

It's Not What You Know . . .


With much pleasure I present Scottish born, multi lingual, multi talented, multi published, the much travelled --  the funny -- the charming --

 
PAMELA KELT



who proves:  It’s not what you know …

  

Whenever I’m wrangling a new plot, the concept of ‘write about what you know’ tends to crop up.

 



Sometimes, rarely (!), a book just happens. This was the case with my first book to be published, Tomorrow’s Anecdote, which is semi-autobiographical. This book had a cathartic urgency to be written. I didn’t actively decide to set a book against the backdrop of 1980s journalism. It simply appeared on my screen. I needed to get the memory of those turbulent times out of my system, and I feel better for it.

 

 

Other titles involved some planning. As a student, I did some research for a thesis on the theory of comedy in 17th-century Spanish interludes. Obscure, but fascinating. I always knew I’d love to work the topic into a book, and on a trip to Loch Lomond some years ago, the character of Alexandra Milton, archivist, popped into my head. Dark Interlude, my forthcoming title with Muse, was great fun re-researching, and fans of authentic detail will be happy to know I ran it past my former supervisor to make sure I hadn’t done anything silly. He liked the blend of fact and fiction. All good.

 

Every so often I plunge into the new. Half Life, inspired a trip to Tromsø, required researching into particle physics and pre-war Nazis. I do like a challenge, but of course, I cheated. My professor husband is an expert in both. I warmed to the concept of using an in-house consultant. After all, I’m finally going to run out of topics with which I am conversant, surely?

 

Inspired by family holiday to Montenegro, I got it into my head to write a fantasy series. I do read a good deal of already (such as the Edge Chronicles, for example), but I’d never tried my hand at writing for this audience myself. After fierce scribbling, I came up with Legends of Liria and the main thrust of the story, partially based on the country’s melodramatic past. A desperate bid to outwit the dastardly Kurova Grax and her evil dynasty.

 

The film ‘Prince of Persia’ was all the rage at the time, and I decided to redress the balance, and have not one, but two strong female leads. The prince is agile and athletic – an expert in parkour (nicknamed PK!) – so what would the girls do? My daughter provided the answer. For many years, she attended a local theatre group called the Dream Factory where she specialised in aerial skills.

 
Think Cirque du Soleil, and you’ll know the sort of thing: aerial silks, trapeze, aerial hoops (cerceaux), ropes …



 

In addition, the advanced workshops did spinning fire poi, flags, quickfire skipping from Double Dutch to … well, you get the drift.

 

Again, I needed to bring in the expertise. I can’t climb a rope without giggling. I dangle at the bottom, spinning in slow, embarrassing circles. In fact, I’ve no incentive to climb, for I have no head for heights. I did a little bit of gymnastics at school, but the PE teachers banned us. Ridiculous, I know. In their minds, one did hockey or nothing. In fact, I hid in the cloakrooms doing my Latin homework, but that’s another story.

 


 
 


Back in Liria, Svila is queen of the air, while the younger Petra is dextrous –
fire poi, juggling, sleight of hand, diabolo … They are entertaining to write about – for between them, they can do just about anything, and with style. It seems plausible to me that with their talents, they can outwit the most dastardly enemy.

 




So, yes. I admit my knowledge of such skills is vicarious, but I do know something of the practicalities because I was one of the many volunteer parents at Dream Factory productions. We had quite a checklist: ice packs for sprains, giant plasters for silk burns, kitchen towels for nose bleeds (I wasn’t keen on those), liquid bandaid for cuts, tape for twisted fingers. On top of the first-aid, we also had to think quickly to fix hairdos that collapsed when the performer was upside-down, find safety pins to repair costumes that got ripped and tangled in the trapeze, ensure the younger ones didn’t sneak in chewy sweets or fizzy drinks … All great fun.

 
 


But at end of the day, I have never climbed a silk. But I have to admit, it was enlightening to interrogate daughter for every last detail. How do you create a footlock? What do you do if you feel yourself slipping? How much upper body strength do you really need? Why does it help to have strong hands? Why are oversplits better? Is flexibility a good thing?

 

So, Legends of Liria began to take shape, and my two heroines explore new challenges in each title, hopefully with a level of realism that will make the journey so much more exciting for younger readers.

 

Conclusion? It’s not what you know, but who you know.

 



Other friends and family members take note. For the next book, I might need your help … You know I won’t be afraid to ask.

 
Like to learn more about Pamela Kelt?

 
Follow Pam on Twitter and Facebook. Find out all the latest on her author website and blog. Or why not send her and email ?

Check out author pages on
Amazon.co.uk, Amazon.com, Goodreads and Smashwords.

 

Tomorrow's Anecdote – Now out on Crooked Cat

Dark Interlude – out 21 June 2013 MuseItUp

Half Life (with Robert J Deeth) – out August 2013 MuseItUp
 
Ice Trekker – out September 2013 MuseItUp

The Lost Orchid – out soon Bluewood Publishing

The Cloud Pearl (Legends of Liria) – out November 2013 MuseItUp
 
 

Saturday, 18 February 2012

My Review of The Blighted Troth by Mirella Patzer


Mirella Sichirollo Patzer
Author

THE BLIGHTED TROTH

A Review by Wendy Laharnar





















 
From the dramatic opening scene in The Blighted Troth, Ms Patzer draws us into the early 18th century with the skill of a classic artist and keeps us there, hooked on history.

In 1702, beautiful Emilie Basseaux and Robert Lanzille, the miller, are in love and about to marry, but their selfish, egotistical overload, Seigneur Richard Tonnacour, decides otherwise. Fearing the lord will kill Robert and seize Emilie for himself, the lovers are forced to leave their cosy community of Pointe-du-Lac, New France, to take refuge in monasteries in Quebec. Here, they are meant to wait for help to arrive from a trusted bishop.

However, powerful people in the landed gentry and the Church ensure this sanctuary and help are denied them. The lovers are separated, both to face their own dangerous future while seeking the means to be reunited.  In this age of power and intrigue, it is not surprising that, by their trust and innocence, Emilie and Robert exacerbate their plight.

Historically, we experience the early 1700s; its agricultural life dominated by the nobility and influenced by the Church. We are swept up in the riots brought on by famine, and suffer the horrors of the plague with its victims in homes, in the streets and in the hospitals.

Ms Patzer’s knowledge of the setting and her well-researched era enrich the story. She takes us into taverns, monasteries, manor houses and ordinary homes and compels us to explore the themes of Cowardice and Honour; Trust and Betrayal; Faith, Love and Loss, at all levels of society. 

Characters the innocent lovers encounter are, like themselves, tainted by circumstance: some tragic, some sinful, some wicked but all in need of love and forgiveness. Issues they face still have relevance today.

The quote in the front of the book, by Charlotte Bronte, begins “Forgiveness is the mightiest sword…” The Blighted Troth made me question this. Should there be degrees of forgiveness, or is Forgiveness the essence of itself?  When you read this beautifully written literary novel, you can be the judge.