Showing posts with label MuseItUp. Show all posts
Showing posts with label MuseItUp. Show all posts

Sunday, 7 December 2014

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Tuesday, 4 June 2013

It's Not What You Know . . .


With much pleasure I present Scottish born, multi lingual, multi talented, multi published, the much travelled --  the funny -- the charming --

 
PAMELA KELT



who proves:  It’s not what you know …

  

Whenever I’m wrangling a new plot, the concept of ‘write about what you know’ tends to crop up.

 



Sometimes, rarely (!), a book just happens. This was the case with my first book to be published, Tomorrow’s Anecdote, which is semi-autobiographical. This book had a cathartic urgency to be written. I didn’t actively decide to set a book against the backdrop of 1980s journalism. It simply appeared on my screen. I needed to get the memory of those turbulent times out of my system, and I feel better for it.

 

 

Other titles involved some planning. As a student, I did some research for a thesis on the theory of comedy in 17th-century Spanish interludes. Obscure, but fascinating. I always knew I’d love to work the topic into a book, and on a trip to Loch Lomond some years ago, the character of Alexandra Milton, archivist, popped into my head. Dark Interlude, my forthcoming title with Muse, was great fun re-researching, and fans of authentic detail will be happy to know I ran it past my former supervisor to make sure I hadn’t done anything silly. He liked the blend of fact and fiction. All good.

 

Every so often I plunge into the new. Half Life, inspired a trip to Tromsø, required researching into particle physics and pre-war Nazis. I do like a challenge, but of course, I cheated. My professor husband is an expert in both. I warmed to the concept of using an in-house consultant. After all, I’m finally going to run out of topics with which I am conversant, surely?

 

Inspired by family holiday to Montenegro, I got it into my head to write a fantasy series. I do read a good deal of already (such as the Edge Chronicles, for example), but I’d never tried my hand at writing for this audience myself. After fierce scribbling, I came up with Legends of Liria and the main thrust of the story, partially based on the country’s melodramatic past. A desperate bid to outwit the dastardly Kurova Grax and her evil dynasty.

 

The film ‘Prince of Persia’ was all the rage at the time, and I decided to redress the balance, and have not one, but two strong female leads. The prince is agile and athletic – an expert in parkour (nicknamed PK!) – so what would the girls do? My daughter provided the answer. For many years, she attended a local theatre group called the Dream Factory where she specialised in aerial skills.

 
Think Cirque du Soleil, and you’ll know the sort of thing: aerial silks, trapeze, aerial hoops (cerceaux), ropes …



 

In addition, the advanced workshops did spinning fire poi, flags, quickfire skipping from Double Dutch to … well, you get the drift.

 

Again, I needed to bring in the expertise. I can’t climb a rope without giggling. I dangle at the bottom, spinning in slow, embarrassing circles. In fact, I’ve no incentive to climb, for I have no head for heights. I did a little bit of gymnastics at school, but the PE teachers banned us. Ridiculous, I know. In their minds, one did hockey or nothing. In fact, I hid in the cloakrooms doing my Latin homework, but that’s another story.

 


 
 


Back in Liria, Svila is queen of the air, while the younger Petra is dextrous –
fire poi, juggling, sleight of hand, diabolo … They are entertaining to write about – for between them, they can do just about anything, and with style. It seems plausible to me that with their talents, they can outwit the most dastardly enemy.

 




So, yes. I admit my knowledge of such skills is vicarious, but I do know something of the practicalities because I was one of the many volunteer parents at Dream Factory productions. We had quite a checklist: ice packs for sprains, giant plasters for silk burns, kitchen towels for nose bleeds (I wasn’t keen on those), liquid bandaid for cuts, tape for twisted fingers. On top of the first-aid, we also had to think quickly to fix hairdos that collapsed when the performer was upside-down, find safety pins to repair costumes that got ripped and tangled in the trapeze, ensure the younger ones didn’t sneak in chewy sweets or fizzy drinks … All great fun.

 
 


But at end of the day, I have never climbed a silk. But I have to admit, it was enlightening to interrogate daughter for every last detail. How do you create a footlock? What do you do if you feel yourself slipping? How much upper body strength do you really need? Why does it help to have strong hands? Why are oversplits better? Is flexibility a good thing?

 

So, Legends of Liria began to take shape, and my two heroines explore new challenges in each title, hopefully with a level of realism that will make the journey so much more exciting for younger readers.

 

Conclusion? It’s not what you know, but who you know.

 



Other friends and family members take note. For the next book, I might need your help … You know I won’t be afraid to ask.

 
Like to learn more about Pamela Kelt?

 
Follow Pam on Twitter and Facebook. Find out all the latest on her author website and blog. Or why not send her and email ?

Check out author pages on
Amazon.co.uk, Amazon.com, Goodreads and Smashwords.

 

Tomorrow's Anecdote – Now out on Crooked Cat

Dark Interlude – out 21 June 2013 MuseItUp

Half Life (with Robert J Deeth) – out August 2013 MuseItUp
 
Ice Trekker – out September 2013 MuseItUp

The Lost Orchid – out soon Bluewood Publishing

The Cloud Pearl (Legends of Liria) – out November 2013 MuseItUp
 
 

Friday, 26 April 2013

The Magnetism of Arthurian Legend


 
It is with great pleasure I introduce my guest


Cheryl Carpinello
 
who is fascinated by the Legends of King Arthur and his Knights. So much so, Cheryl adds to them with wonderful award winning legends of her own. 


Cheryl, I loved your book, The King's Ransom. I know it was written for children, but adults will enjoy reading it too, especially if they are drawn to King Arthur and his knights...and who isn't :) What piqued your interest in this era?

 
            The beginning of my fascination with Arthurian Legend started when I took an English literature class in college and read Malory’s Le Morte d’Arthur. Surprising since my family traces their roots back to England and Wales on both sides of my family.

            However, I fell in love with Arthurian Legend when I read T. H. White’s The Once and Future King and included it in my high school English curriculum. Sharing with my students the pageantry of the tournaments and the gallantry of the knights from Malory excited a spark in my students.

            The fast moving adventure story of Wart, the young King Arthur of White’s creation, pulled us all into the romantic and gallant story White weaves. It is a story steeped in all things Arthurian: the exploits of the knights of the Round Table, heroes like King Arthur and Lancelot, and magic and Merlin. 



            King Arthur and the Knights of the Round Table has never lost its appeal to readers. Today when I talk about the Medieval Times with kids and adults, the talk centers around the exploits of the knights of the Round Table, heroes like King Arthur and Lancelot, and magic and Merlin. The stories of the knights with their quests, their jousts, their rescuing of the damsels in distress, and their fighting for the underdog dominate the conversation. Never mind that in real life, knights weren’t always so gallant, and frequently only defended the underdog if he belong to the same or a higher social class.

            The King Arthur legend has outgrown and overshadowed any historical truth. A remarkable feat considering that in today’s fast-paced, information-on-the-run world, a legend reaching as far back as 1136 about a mythical king back in the 5th or 6th century shows no signs of abating. Packed into the Arthurian stories of quests, jousts, tournaments, and battles are the cornerstones of Honor, Loyalty, and Friendship that continue to speak to the world and particularly the young.
 
 
Cover Designer: Kaytalin Platt

          
  These qualities were consciously incorporated in Young Knights of the Round Table: The King’s Ransom. The Young Knights have become friends via their friendship with a beggar/vagabond called the Wild Man. Without the Wild Man, it is likely that they wouldn’t have met and become friends because they are from very different backgrounds. Eleven-year-old Gavin is the youngest prince of Pembroke Castle in southern Wales. Fifteen-year-old Bryan has been sent to Pembroke by his parents to learn to be a blacksmith. Thirteen-year-old Philip is an orphan who wandered into Pembroke village and lives and works at the church.



 Creative Commons Attribution-Share Alike 2.0 Generic license.'
Pembroke Castle, Wales




           In the story, someone breaks into the king’s (Gavin’s father) treasury in Pembroke Castle and not only steals the medallion The King’s Ransom, but also kills the king’s advisor. The Wild Man is captured and charged with the crime. Belief in their friend’s innocence spurs the trio to swear a knight’s oath of loyalty to the Wild Man and embark upon a quest to save him. Their individual quests test their limits and force each to confront and conquer their fears or face humiliation and/or even death. Honor. Loyalty, Friendship.


  Creative Commons Attribution-Share Alike 2.0 Generic license.'
Cardigan Bay, Wales

        
  I am a twice-retired high school English teacher. I’m afraid I’m one of those people who do not do retirement well. Working with kids is a passion I have never lost. I regularly conduct Medieval Writing Workshops for local elementary/middle schools and for the Colorado Girl Scouts. We explore writing and reading, and it is fulfilling to see young students excited about writing and reading. It seems I'm not the only one who loves Medieval Times and the King Arthur Legend. The kids thoroughly enjoy writing their own medieval stories complete with dragons, wizards, unicorns, and knights.

 
Young Knights of the Round Table: The King’s Ransom

2012 Silver Award recipient for YA Fiction from Children’s Literary Classics

2012 Children’s Literary Classics Seal of Approval

2012 USA Best Book Awards Finalist for E-Book Children

 

In medieval Wales, eleven-year-old Prince Gavin, thirteen-year-old orphan Philip, and fifteen-year-old blacksmith's apprentice Bryan are brought together in friendship by one they call the Wild Man. When an advisor to the king is killed and a jewelled medallion is stolen from the king’s treasury, the Wild Man is accused of the theft and murder.

Filled with disbelief at the arrest of the Wild Man, the three friends embark upon a knight’s quest to save their friend’s life. To succeed, the three must confront their fears and insecurities, and one of them will have to disclose the biggest secret of all.

Join Gavin, Philip, and Bryan on their quest and share the adventures that await them in the land of King Arthur and his Knights of the Round Table.

 
Purchase Links:

Barnes & Noble

 Author Links:

Blog:





Wednesday, 10 April 2013

A Touch of History and the Paranormal


I'm thrilled to be chatting with a paranormal author today. Or should that be 'with an author of paranormal stories'?

 




V L MURRAY

 
Welcome to my blog, Lynne. 

Thanks Wendy, it’s really nice to be here.

 
I enjoyed A Hallowe'en Tale. This is a very entertaining short story with which teens will identify. In fact, your story revived a particular childhood memory for me. I relived the night a friend and I crept out of bed to peer through the window of a deserted house a few streets away. Jumping at shadows, we scared ourselves silly and didn't achieve our objective. Your teenagers did, however, and what a tale they have to tell!

Glad you liked it and that’s wonderful it stimulated you to remember something supernatural from your own past.

 

I had the impression that Olivia's mother wanted Olivia to get a glimpse of her history, and that's why she warned her not to go to the party via the old lane, knowing Olivia would disobey.  Am I right?

 

Oh yes. How many kids do you know that when you tell them not to do something they immediately do it. Yes, Cantare knew her daughter well and in telling her what not to do, she pretty much guaranteed the outcome.

 

How much of your inner child is in Olivia? Were you headstrong and stubborn?

 
Yup, I think I was a real pain in the butt for my mom. I was unbelievably stubborn and headstrong, but hey, if your kids aren’t, they end up getting bullied and other things, so I think there is something to be said for these characteristics.
 
My dad used to tell us almost everyday that ninety-nine percent of the people in the world are sheep, and he’d say, “Where do you fit in? What are you going to be?”
 
Made me think and that was probably one of the reasons why I did what I believed in and questioned things. That is what Olivia is doing in the story. She’s stepping up to the challenge, facing her fears and finding out the truth. Just think what the world would be like if we all did those things.
 
However, it is also nice when children obey their parents and listen to them. Parents have more of life under their belt and kids usually don’t really understand that until they, too, are grown up.

  

Was there 'an old lane leading through the back fields' in your youth?

 
 

Actually, I lived right across the street from a forest and when I was young, the fields to the north were totally wild and free, as well. There were partridges running around and we played games trying to touch their tails before they took off. I don’t remember anyone actually achieving that goal. I spent much of my youth running in the woods and knew every turn and nook and cranny of the forest. There are spooky things in there that sometimes jar you a little. But I survived. LOL.

We had to drive to get to the more historic things, but my parents were big history fans and so they took us to old buildings and museums and any archaeological sites that were around. I had my share of adventures. The Royal Ontario Museum was in Toronto, an hour away, and they had a huge Egyptian section with mummies and all sorts of cool things. Very stimulating for a young mind.

 

The mother's rocking and humming unnerved me. It served as a good means to build tension and suspense. The mother held all of the story elements together. Was this your intention?

 

Oh yeah. I’m glad it was effective. You never know unless someone else tells you. Cantare is a special person who can call in the supernatural world to help her. Sound is the means of creation for all beings, both in the heavenlies and on earth. Most people just don’t realize it. Cantare was creating the scenario for her daughter so that she would understand the seriousness of what had happened in the past and forget about the idea of the celebrity of it all.

 

The description of the fancy dress costumes seemed too real to have come from your imagination alone, in particular the one Giles designed for Jared. Without giving too much away, can you tell us if this was a costume you were familiar with in real life?

 

Actually almost all of it came out of my mind. I envisioned the headless horseman in Johnny Depp’s movie—which is still a favourite—to give Jared something really funky. And of course the modern teen would wear a black T shirt with a skull on it, what else? With Giles, I was thinking period costume with a little bit of English riding habit thrown in. Very noble. Perhaps the prince in Sleeping Beauty was coming through.

 

I particularly liked Olivia's costume. What a wonderful idea. It warmed my heart.

Did this have some basis in truth?

 

The outfit that Olivia wore was something I would wear, especially the turban. I love  turbans, as you can tell by my author’s picture. I love pink peonies and shawls and moccasins—I spent years wearing only moccasins—so, she was definitely in the costume I would have worn.

 



In one five star review, the reviewer commented that A Hallowe'en Tale 'contains far more than meets the eye'. Can you explain this multi layering? Would you say a teenage reader would pick this up or be satisfied with the adventure in the story?

 

Yes, there are quite a few layers to the tale. We have the simple Hallowe’en Party and friends going out for fun. We have a teenage girl who is trying to make herself feel a little more important by making sure her friends know that her family had a link to the place where they were going. We have a history lesson about something that happened in our past.



Artist F.T. Merrill 1886






This illustration depicts the execution of Ann Hibbins on Boston Common in 1656.














There were real people hurt in the witch trials that occurred all over the world for varying reasons. In the Wiccan world those events are referred to as the Women’s Holocaust, even though many men were killed as well. Then finally we have a paranormal event which leaves everyone thinking and scratching their heads.

To answer the second part of the question: I think most teens would get the layers, not necessarily consciously unless they were pointed out.

 

Do you call on your own memory when writing stories, or are they mainly pure fiction?


They are always a mix of fiction and reality. They say the best way to write convincing fiction is to pull it out of your own life and make it unrecognizable. I like to come up with characters who have connections to my world, whether past or present, plus I like to create people and scenarios that I wish were real.

I think that’s how the future sometimes comes about. If we look at some of the great sci-fi authors we see our present in their writings from the past. So who’s to say what a writer can do if they are convincing enough.

That is also a reason why all writer’s need to be cautious with their tales. What we write as thrilling or scary or a perfect murder, can be fuel for someone else’s actions. I was involved with Law Enforcement years ago, and you see scenarios acted out daily which have come directly from fictional sources or the publication of real events that are often horrific. When the abnormal mind gets stimulated by these kinds of things, it can get pretty hair-raising, so we as writers have an obligation to censor ourselves sometimes for the good of the general population.

I’m probably in the minority with that belief. Most people think they should tell all and the public has a right to know, but I taught kids for almost thirty years and most kids and adults, can’t handle the truth. It can be quite traumatizing. If I had seen what the teens in my story saw, I would have been terrified and there is no way I would have done what Olivia did. I would have turned the other way and said, “See you.” Maybe later I might have wished I’d checked it out, but I am not traditionally one of those people who goes into a dark alley without lots of back-up. LOL

 

You say form and punctuation are just other ways to make words sing. How do you bring out the music in your writing?


It’s the way you put it on the page. Every punctuation mark has a sound with it. If you put in a comma, you hesitate slightly but the pitch stays at the same level. If you put in a period, you stop, but your voice falls. A question mark makes you raise your voice and an em dash also makes your voice go up but in a different way. There is a hesitation that lifts and then makes you fall into the next word, like you just came over the other side of a hill and you are now on the way down. Italics on a single word add emphasis so you automatically say the word a little louder.

Separating a single sentence or a couple of words into a paragraph all by themselves, really makes you stop. It headlines the presentation. So format can be intrinsic to your scenario as well.

I always read everything out loud, both my own writing and the manuscripts that I get to edit. There is a certain rhythm that needs to be in a sentence. And when you end a work, it is really important that the music of the words also brings you to a close. Writing an ending of a story is like writing the end of a sermon. If the preacher doesn’t get it right, everyone just sits there and looks around the room like they’re saying, “Hmmm, what do we do now?”

A good ending will bring you to your feet with cheers, or make you cry, or at least stop and stare off into space. All that is done with the sound of the words and how they are connected or brought to a close.

 Important editorial tips here, Lynne. Thank you.

As an editor with MuseItUp publishing, you must read many stories with your editorial eye. Do you have trouble turning off your inner editor when writing your own first drafts?

Yes, and thank God for that. The last thing I want to do is turn it off in that situation. It makes me constantly check myself so my own editor doesn’t want to kill me.

Where the desire to edit drives me nuts the most, is when I am reading a newspaper or watching a movie or TV with the captions on. Then I am in real trouble because I see every error and can’t concentrate on the task at hand. I try to remember that most captions are probably done with Dragon Speaking Naturally and so that is why they sometimes look like a foreign language.

 

Would you like to add anything else?

Well, just that I appreciate the chance to come aboard and chat. It’s been fun. Thanks so much for the opportunity to talk more about the story, certainly the historical aspect of it.

There’s an amazing series of three films that the National Film Board of Canada made on this topic. One is called The Burning Times. You can watch it for free on the site. Just google it. It is really amazing and enlightening. You will be shocked and saddened by what you see.

 It's been a lovely chat, Lynne, I wish you much success with this thought provoking short story A Hallowe'en Tale. I enjoyed it very much.

 
 You'll find VL Murray here

 V.L. Murray web page

Editor/Author

 Facebook

 



A Hallowe'en Tale is available from  


MuseItUp Book page.    Read the back of book BLURB and a STORY EXCERPT here. 
 

Amazon.ca

 Kobo



 

Saturday, 13 October 2012

Top 10 in Omnilit for Happiness Guaranteed


I'm so excited - 'Happiness Guaranteed' has reached the Top 10 in Omnilit Best Sellers. I can't believe it! At the time of posting it is also No 1 in Best Selling Short Stories ebooks and No 1 in Highest Rated Short Stories ebook. I have to thank Lea Schizas MuseItUp Publisher, my editors Anne Duguid and Nancy Rafter Bell for their wonderful input and Tiger Matthews, cover designer, for this captivating cover.
 
This is a millionare moment :) I know it can't last but...while it does it will be here. OMNILIT